One of the interesting things about doing something for a long time is the subtle changes that happen in focus and style, how something begins rough and wobley and smoothes out under pressure and time to be gentler with a strong unique and singular identity. In this episode, I speak with several seasoned songwriters, musicians and artists who all share this in their stories about their work and process.

We feature interviews and performances by Emily Herring, Daniel Thomas Phipps, and Todd Deathrage, along with conversations with artists Allison Geneser and Lindsey Dickson. We also have a special tribute to Joe Burks.

If you went around and asked what Texas music sounded like, what would people say? Well, we did and found out that Texas music may be more of a philosophy than a sound. Join us as we interview and hear performances by Van Darien, Deadman, and Courthouse Nights special guest Garrett T. Capps. We also hear from writer, animator, director, illustrator, fine artist and advertising creative, Rohitash Rao.

In 1972, Italian artist Adriano Celentano released a song that sounded like English spoken with an American accent to Italian listeners. Despite the nonsensical lyrics, the song reached number 2 on the charts. Celentano aimed to explore communication barriers rather than create a humorous novelty song. This concept is intriguing because music can convey universal emotions even before the lyrics acquire meaning for the listener. Visual art also shares this ability to evoke feelings without relying on explicit themes. Join us as we interview songwriters Fletcher Clark, Ryan Quiet, and Jacob Furr, as well as an exhibition at the new Lockhart Post Gallery called "Heck Yeah" by artist Beast Syndicate.